There is an indication of Anderson's attitude right at the beginning of Every Day Except Christmas; it is affectionately dedicated to several of the Covent Garden porters whose twelve hours of work from midnight to mid-day are the subject of the film. The key word is affectionately. Personally I would never have used such a word; for me it has too many avuncular, dutiful associations. But Anderson gives it new associations and justifies his use of it by the film that follows. He approaches his heroes (there are no villains) and so also makes us approach them, on a basis of natural equality. He neither idealises them—nor does he "study" them…. What he does is to muck in with them…. Having dissolved the problem of his relationship to his subject, and having decided to leave in abeyance the question of what the single purpose, the concluding argument...