This section contains 5,295 words (approx. 18 pages at 300 words per page) |
SOURCE: "Altman's McCabe and Mrs. Miller as a Classic Western," in New Orleans Review, Vol. 17, No. 2, Summer, 1990, pp. 79-86.
In the following essay, Merrill analyzes Altman's McCabe and Mrs. Miller as a classic western, instead of its typical depiction as an anti-western.
My title must seem an oddity, for Robert Altman's McCabe and Mrs. Miller is almost always taken to be an "anti-western," that is, a film largely devoted to severe satire, even parody, of the classical westerns. Viewed in this fashion, McCabe and Mrs. Miller will almost inevitably seem a minor, somewhat quirky example of what other filmmakers were doing in the late 1960s and early 1970s, when the conventions of the John Wayne-type western were sabotaged in such films as George Roy Hill's Butch Cassidy and the Sundance Kid, Frank Perry's Doc, Philip Kaufman's The Great Northfield Minnesota Raid, and Arthur Penn's Little Big Man and...
This section contains 5,295 words (approx. 18 pages at 300 words per page) |