All's Well That Ends Well | Criticism

This literature criticism consists of approximately 39 pages of analysis & critique of All's Well That Ends Well.

All's Well That Ends Well | Criticism

This literature criticism consists of approximately 39 pages of analysis & critique of All's Well That Ends Well.
This section contains 10,550 words
(approx. 36 pages at 300 words per page)
Buy the Critical Essay by Robert Ornstein

SOURCE: “All's Well That Ends Well,” in Shakespeare's Comedies: From Roman Farce to Romantic Mystery, Associated University Presses, 1986, pp. 173-94.

In the following essay, Ornstein surveys the plot and principal characters of All's Well That Ends Well.

It is not easy to say why Shakespeare wanted to write a play about characters as limited and uninspiring as Helena and Bertram. A relatively straightforward dramatization of Boccaccio's tale of Giletta and Beltramo,1 All's Well is the only comedy that centers on a single love—or rather, a single love-hate—relationship. No Hero, Nerissa, or Celia stands by Helena's side; for most of the play she is a solitary figure who keeps her own counsel and pursues her ends without confiding them to any other person. For a time Bertram has Parolles as a companion, but he is nearly incapable of intimacy or emotional attachment. The minor characters of All's...

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This section contains 10,550 words
(approx. 36 pages at 300 words per page)
Buy the Critical Essay by Robert Ornstein
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Critical Essay by Robert Ornstein from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.