SOURCE: “The ‘Blight of Legalized Limitation’ in Alice Childress's Wedding Band,” in Law and Literature Perspectives, edited by Bruce L. Rockwood, Peter Lang, 1996, pp. 39-51.

In the following essay, Billingslea-Brown considers the impact of anti-miscegenation laws on the lives of the characters in Childress's Wedding Band.

Between American jurisprudence and literary expression by African Americans, there is multifaceted relationship, one that has at its center questions of freedom and identity. It may be argued, in fact, that the impulse to creative expression by African Americans arises, in part, from the need to legitimize the human and cultural identity of the African on American soil.¹ In the legal history of the United States, that collective human identity, from the colonial period to Dred Scott and Jim Crow, has been constructed in particular ways.

Without doubt, there have been seminal instances where law for people of African origin and descent...