SOURCE: “Whose Name, Whose Protection: Reading Alice Childress's Wedding Band,” in Modern American Drama: The Female Canon, edited by June Schlueter, Fairleigh Dickinson University Press, 1990, pp. 184-96.

In the following essay, Wiley examines feminist and racial perspectives on Childress's Wedding Band.

In the first act of Wedding Band, a scene of reading and performance occurs that lies at the center of a feminist interpretation of the play. Mattie, a black woman who makes her living selling candy and caring for a little white girl, has received a letter from her husband in the Merchant Marine and needs a translator for it. Her new neighbor, Julia, the educated outsider trying to fit into working-class surroundings, reads the sentimental sailor's letter aloud. After her performance, in which the women listening have actively participated, Mattie tells Julia that, in addition to his love, her husband gives her what is more important...