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SOURCE: “Exploitation of the Body in Vigny's Chatterton: The Economy of Drama and the Drama of Economics,” in Theatre Journal, Vol. 34, No. 1, March, 1982, pp. 20-26.
In the following essay, Cooper explores references to the body as they contribute to an economic analysis of Chatterton.
In the preface he composed during the night of 29-30 June 1834 for his just completed drama, Chatterton, Alfred de Vigny wrote: “This is not ideology.”1 That statement was not a pro forma disclaimer of philosophical bias. Rather, it was a deliberately made and seriously intended definition of the grounds on which Vigny meant to fight for the unencumbered leisure to develop his artistic talents.2 “Already in Stello, [Vigny] had proclaimed the superiority of Poetry and Imagination over philosophy and ‘the mind that weighs and measures.’”3 That Vigny must make clear he his not arguing his case on the basis of some political or philosophical...
This section contains 3,960 words (approx. 14 pages at 300 words per page) |
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