This section contains 3,533 words (approx. 12 pages at 300 words per page) |
SOURCE: Schumacher, Claude. “Jarry's Theatrical Ideas.” In Alfred Jarry and Guillaume Apollinaire, pp. 98-109. London, England: Macmillan Publishers Ltd., 1984.
In the following essay, Schumacher builds upon Jarry's own writings to articulate Jarry's ideas about the theater as represented by his plays.
Jarry is a subjective writer, who belongs in that stream of literary tradition which began in earnest with the Romantics. His personal obsession with a schoolmaster coincided with a whole attitude to life and became embodied in the Ubu fantasy. Jarry was essentially concerned with the expression of his personal ‘world within’. He was not solely, or even primarily, a man of the theatre, though he undoubtedly had a theatrical instinct of a highly individual kind. Nor was he, a priori, a theatrical reformer. He broke with naturalist theatrical conventions because such conventions could not possibly serve his personal vision. However, his ideas on the theatre have...
This section contains 3,533 words (approx. 12 pages at 300 words per page) |