SOURCE: In a review of Limbo, in Aldous Huxley: The Critical Heritage, edited by Donald Watt, 1975, pp. 43-5.

In the following review of Limbo, originally published in The New Republic in 1920, Gorman compares Huxley's work to Max Beerbohm's.

Mr. Aldous Huxley, a new and extremely prepossessing English writer, has just been introduced to America with two volumes, Limbo, a collection of prose sketches written in a vein that is, to say the least, individual, and Leda and Other Poems, containing verse that smacks mightily of Mr. T. S. Eliot, and yet has an intriguing appeal quite its own. It was, I believe, in 1916 that Mr. Huxley's first book, The Burning Wheel, was published. A slender volume of verse, bound in paper covers and forming a link in Blackwell's Adventurers All Series, it hardly awakened more than a passing curiosity. But there was more in it than dexterous rhyming...