SOURCE: "The Priest/Artist Tradition in Achebe's Arrow of God," in Africa Today, Vol. 41, No. 2, 1994, pp. 51-62.

Kalu is an American educator whose research interests include multiculturalism, women in the African diaspora, African and African-American literary theory construction, and African development issues. In the following essay, Kalu demonstrates how Achebe's use of traditional Igbo religious, political, philosophical, and artistic motifs in Arrow of God combine to illumine the abstract notion of duality.

In his efforts to validate the African literary artist's vision, Chinua Achebe has frequently spoken out against art for art's sake. He insists that

art is, and was always, in the service of man. Our ancestors created their myths and legends and told their stories for a human purpose (including no doubt, the excitation of wonder and pure delight); they made their sculptures in wood and terra cotta, stone and bronze to serve the needs of...