John Berryman is associated with a group of poets who have become known as the "Middle Generation," a group that includes Delmore Schwartz, Randall Jarrell, Theodore Roethke, and Robert Lowell. It is a critical convenience to label much of the work of Berryman and Lowell, along with that of Sylvia Plath, as "confessional," but the tag is certainly belittling. It suggests a poetry which indulges in vulgar self-exposure, and neglects to note, for example, that Berryman's poems--even in The Dream Songs (1969) and Love & Fame (1970), which are supposedly his most confessional volumes--are in fact the products of sustained imagination and craft. Berryman and his contemporaries certainly had highly disturbed lives, with elements of self-victimization, but the poems should not be mistaken for the lives. Literary historians must eventually evaluate those lives from the perspectives both of individual psychology and of cultural context. Robert Lowell worried the question in an...