A recent review of Mrs. Gaskell's critical reputation divided her critics into three camps. One group, now fading, still treats her mainly as the author of Cranford (1853). A second emphasizes her "social-problem" novels but insists that they be regarded as literature and not just as social history. The third and dominant one regards her as "a maturing artist, and considers each of her works in relation to the others and her general views, preferring the late fiction but giving all her writing respectful, and perhaps even admiring attention." To this summary should be added a recent special focus on her role and influence as a woman writer, and studies of her as a provincial novelist, relating her work to that of George Eliot and Thomas Hardy in its presentation of life in a regional community. It is also probably true to say that the reputation of her late...